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Listen up, pinheads. This was supposed to go differently, okay? There was a whole intermission section with a series of shenanigans and time dilation and various guys getting stabbed and shot at, at least two dance sequences, a lot of homoerotic tension, and a flock of errant geese. That was all going to kick off any minute now, except this gent had to go and punch Slick through the goddamn wall! Who does that? You ask her how she knows any of this garbage. She says that it's one of her jobs to make sure the narrative stays on track. That's definitely a thing that's always been true, and was in no way just made up right now as a plot contrivance. Honestly, she's got stories she could tell you. Have you ever died for the narrative, buster? Okay sure, fine. Whatever. So what's the issue here? Why can't you just go back and pick up where you left off? She says well, there's definitely no point in doing that with one of the three of you dead! You point out that Slick was perfectly fine before she came along and committed vehicular manslaughter.